Swinging bridge espinet

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Mona, a film researcher rooted in Montreal, vividly remembers that night in Trinidad when her father, Da-Da, in a drunken rage, threatened to kill her nine-year-old brother, Kello. Years later, a terminally ill Kello asks Mona to revisit their native island and reclaim the property that their family had left behind. As Mona returns to the Caribbean to confront her family's turbulent past, the reader travels back in timeto nineteenth-century India, to British Trinidad, where her ancestors lived as indentured workers in the cane fields, and finally to urban North America.

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Mona, a film researcher rooted in Montreal, vividly remembers that night in Trinidad when her father, Da-Da, in a drunken rage, threatened to kill her nine-year-old brother, Kello. Years later, a terminally ill Kello asks Mona to revisit their native island and reclaim the property that their family had left behind. As Mona returns to the Caribbean to confront her family's turbulent past, the reader travels back in timeto nineteenth-century India, to British Trinidad, where her ancestors lived as indentured workers in the cane fields, and finally to urban North America.

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Read, highlight, and take notes, across web, tablet, and phone. The Swinging Bridge marks the debut of Ramabai Espinet, a poet and a writer with an immensely talented voice. Hers is a sweeping generational novel of an Indian family from Trinidad, part of a vital but uneasy cultural mix on the island that also includes blacks and whites.

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Since she originally migrated to Canada in the s, Espinet has divided her time between the Caribbean and Canada. Espinet received her Ph. She is currently a professor at Seneca College.

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The Swinging Bridge works best when it relaxes into a human story. There are some stiff, self-conscious moments here, especially in the opening, where the importance and difficulty of reconstructing the past and reconciling family is heavily underlined. Although the pacing is sometimes off-putting, with family secrets revealed in a headlong rush in the third and final section, what finally emerges is a chronicle carved from the personal, historical, and polemical.

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It will largely focus on various issues of Indian immigrants in Caribbean. The lives of immigrants are haunted by the memory of past and their current situation in diasporic space. Difference based inequalities such as gender, cultural, ethnic, caste or race and even nationals of the particular country are big issues in Indian diaspora from the beginning of migration and settlement from country of origin to country residence.

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We demonstrate that rebinding to the Trinidadian space and recovering part of the memory of the Indian historical centre set the three spaces in a diasporic relation. It establishes that the construction of diaspora at work in The Swinging Bridge advocates for the appreciation routes rather than roots and is compatible with the idea of a multi-locational diasporic consciousness. Chevreul,

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